I hope this finds you and you’re nicely: a rescue love story by way of your letters |  Cinema on stage

I hope this finds you and you’re nicely: a rescue love story by way of your letters | Cinema on stage

I hope this finds you and you’re nicely: a rescue love story by way of your letters

With the script and route of Natara Ney, the documentary is the results of an extended analysis course of

Doing analysis for one more venture, in Praça XV, within the metropolis of Rio de Janeiro, director and screenwriter Natara Ney got here throughout a packet of 180 letters, written between 1952 and 1953. In them, the love story between Lúcia and Oswald. “After studying them, placing them in chronological order, I used to be glad and curious. What occurred to the couple who had been in love? How did their story finish? And above all, I noticed it as a mission to return this gem to its rightful homeowners”, stated the filmmaker.

The seek for this couple is the main string of “I hope this finds you and you’re nicely”, the primary movie of the filmmaker, which makes its debut this week within the cities of São Paulo, Rio de Janeiro, Salvador, Recife, Porto Alegre, Manaus., Campo Grande, Brasília, Belo Horizonte , Balneário Camboriú and Aracaju. Natara talks solely in Cinema em Cena concerning the movie, about love and the transformation of relationships with cities, in some ways which might be proven within the documentary.

Cinema em Cena – Earlier than speaking concerning the story itself, I would really like you to speak a bit of concerning the manufacturing of the movie and the challenges you confronted till it was launched, particularly with the pandemic.

Natara Ney – The primary profitable public announcement to make a venture was for a brief movie and I began working with that format in thoughts. After that, we bought cash from Funcultura, Pernambuco, for an amazing present, and I modified the route of the venture once more. As a brief movie, he would give attention to the story behind these letters, that’s, on Lúcia and Oswaldo. With the change, I spotted that we must add context to this story, after which we started to incorporate in depth analysis work and using archival materials. Though the cash was not launched, it was as if life was on maintain for the venture. Throughout this time, I used to be rising the scriptures. Funds had been withdrawn within the midst of the pandemic, and different challenges arose. From the inspiration of the movie – is it time to speak about love in a troublesome time just like the one we reside in? – even the visible points, and the problem of manufacturing a movie with out displaying the group in the course of the pandemic. In the long run, I satisfied myself that it was time, sure, to speak about love, and the product was edited, advancing the steps that may very well be executed far. In any case, we had been in a position to full the movie with out exposing any of the group members.

Cinema em Cena – The group that produced the movie has a lot of girls: you, the three producers, the editor, amongst others. Was this give attention to girls within the venture intentional?

Natara Ney – Brazilian audiovisual has a robust presence of girls, that is true. There are numerous girls who produce, direct, write scripts, edit. I actually have been within the trade because the Nineties, with an extended profession modifying non-fiction movies, collection and documentaries. However in my position as a black filmmaker, in a era that suffered enormously from machismo and racism, I took on the duty of serving to pave the best way for brand spanking new black filmmakers to return into the market. It’s clear that the manufacturing of the documentary counts on male consultants, who’re nice companions on this concept of ​​equality.

Cinema em Cena – “I hope this one finds you and you’re nicely” is described as a romantic film, not as a result of the story behind the gathering of affection letters, however you assume it may be described as a movie about. absence (of a liked one, in historical cities, avenue cinemas, reminiscence, and so forth.)?

Natara Ney – I by no means considered that concept! (laughs) However it may very well be. I believe that, greater than absence, the movie offers with methods to fill the gaps of absence. It’s about understanding absence to make room for brand spanking new presence. This movie served, for me, as a survival technique, an train towards melancholy.

Director, screenwriter and producer Natara Ney

Cinema em Cena – After finding out the letters, you understand that the story will not be for you. Nonetheless, he places himself within the movie, within the first individual. Why this alternative?

Natara Ney – This was an extended course of. Because the venture progressed, I grew to become satisfied that the movie wanted a voice, to elucidate sure parts of the story. The primary time I struggled with this was once I spoke Pernambuco. I’ve a level in journalism and, in my school days, we discovered that expressions ought to be “impartial” and it took me some time to grasp that the sentence will not be an issue. However one other impediment appeared: It was troublesome to speak a couple of love that was not mine, as a result of it linked me to my story, which didn’t succeed. That is once I determined to place myself fully, making a movie once more to say goodbye to that love, it did not work out. However it was a great distance, as a result of it concerned insecurity, publicity and the problem of writing and deciphering a textual content that would not be didactic, however emotional in the appropriate manner.

Cinema em Cena – Following the thread of this story is a logical activity. Why did you select to not establish the interviewees?

Natara Ney – As a result of I needed to emphasise what every interviewer was speaking about, not these folks. As a result of, actually, these characters actually grow to be bridges in all of the analysis that includes the story, however their understanding and response to the playing cards is extra essential than figuring out who they’re. By putting the letters of their palms and asking them to learn the phrases, it allowed a second of protagonism for every individual. Within the movie, everybody has their very own.

Cinema em Cena – Many years of affection tales look like a factor of the previous to you? Did marriages final a lifetime as a result of love was totally different, or as a result of girls trusted males?

Natara Ney – I believe that lots of them, sure, are stored by a sort of social contract, the place the person was the supplier and the lady, the caretaker of the household, however I perceive that there are up to date organizations that last more, and are based mostly on totally different values ​​from these. By placing myself on this story, relatively than being upset, I felt motivated to finish the story that wasn’t proper for me. Right this moment and up to now, there are lengthy, quick, glad, ugly love tales. Every will construct and end his personal.

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