Portuguese diplomacy advises Pedro Chagas Freitas on European summer season research

Portuguese diplomacy advises Pedro Chagas Freitas on European summer season research

The Everlasting Illustration of Portugal within the European Union selected the creator’s newest title, “Raridade das Coisas Banais”, within the “Readers of Europe” initiative to advertise studying, which takes place for 3 consecutive years. The creator is in comparison with Saint-Exupéry, the creator of “The Little Prince”.

Launched in 2020, within the context of the pandemic, throughout the presidency of Croatia, the “Readers of Europe” initiative provides a examine proposal, throughout the summer season, of a piece and creator from every Member State, by the Everlasting Consultant. reper). Within the textual content of the exhibition of the Portuguese work, proven by Reper, it may be learn: “Like Antoine de Saint-Exupéry, [em] ‘O Principezinho’, Freitas advises the reader to stroll in deep water, and take into consideration childhood and demise, about what it means to be an grownup and love”.

Within the earlier two editions, the Everlasting Consultant of Portugal to the European Union proposed, in 2020, “New Portuguese Letters”, by the authors Maria Isabel Barreno, Maria Velho da Costa and Maria Teresa Horta, a piece criticizing the colonial warfare. circumstances of migration and dictatorship, revealed in 1972, displaying the opposition to the regime and the wrestle of ladies, nationally and internationally, and “Leva-me Contigo”, by Afonso Reis Cabral, the historical past of the author’s journey on foot, alongside the Estrada Nationwide 2.

Amongst this yr’s alternatives from different everlasting representatives, there are winners of the European Union Literature Prize, as within the case of Spain and Romania, works coping with the scenario of refugees and migrants (Germany, Slovenia), the opportunity of being homeless. the fashionable world (Denmark), the traumas of the twentieth century of European historical past (Austria, Hungary) and the influence of populism on establishments and society (Italy).

Romania proposes “Ages of the Recreation — Citadel Avenue”, by Claudiu M. Florian, a presentation of the historical past of the twentieth century in Romania, whereas Spain selected “Canto yo y la montaña baila”, by the author and artist Irene Sola, Catalan author, winner of the Anagrama and Documenta prizes, amongst different distinctions. From Slovenia, the proposal is a guide of brief tales by Selma Skenderovic, “Why are you silent, Hava?” (“Zakaj molcis, Hava?”, within the authentic), and immigrant tales, the theme that dominates the German choice, “Auf der Straße heißen wir anders” (“On the road they name us by different names”), by. Laura Cwiertnia.

Austria proposes a solution to cope with the ache of Historical past, with “Engel des Vergessens” (“The Angel of Oblivion”, in free translation), by Maja Haderlap; Hungary, György Dragomán’s “Bone Fireplace”, strategy to the post-Soviet period and the concept of ​​freedom; and the Netherlands, Simone Atangana Bekono’s first novel, “Confrontation”, a narrative centered round a juvenile detention heart.

Lithuania selected Ausra Kaziliunaite’s poem, and the guide “The Moon is a Tablet”, edited in English, whereas Latvia selected “Calendar Attraction” (“Kalendars mani sauc”, initially), by Andris Kalnozols, i Wars, epidemics, starvation and injustice, as learn within the introduction to this guide. “The ability of a girl” reveals the selection of Croatia, Kristina Gavran “Gitara od palisandra” (“Guitar rosewood”) and, love, the selection of Eire: “Love notes from the German Constructing”, by Adrian Duncan.

The convenience of entry to poverty, in right now’s world, and the opportunity of homelessness dominates the work chosen by Denmark, “Possibly you need to have been there”, by Thomas Korsgaard. Italy, experiencing a brand new authorities drawback, proposes “The influence of populism on European establishments and civil society: speeches, actions and insurance policies”, a group of conversations edited by Carlo Ruzza, Carlo Berti and Paolo Cossarini.


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