After a while with nice public success and significance, the presentation of São Paulo, which performs a significant position Regina Bragacan be proven once more within the metropolis, from Friday, August 5, at Teatro Italia Bandeirantes (Ed. Itália, Avenida Ipiranga, 344, República). by route of Isabel Teixeira (Maria Bruaca from the cleaning soap opera Pantanal), São Paulo reveals great tales, collected through the years, a few metropolis that’s scary, difficult, welcoming, stimulating and at all times stunning. Sharing the stage with Regina, a bunch of musicians and actors composed by Xeina Barros (voice and beat), Alfredo Castro (voice and beat), Vitor Casagrande / Mak Oliveira (voice, cavaquinho and mandolin) collectively Gustavo de Medeiros / Guilherme Girardi (voice and guitar) we launch verses, tales and songs that replicate a singular, contradictory, mysterious and really stunning metropolis.
Since its founding, on January 25, 1554, within the space referred to as Campos de Piratininga, between the Anhangabaú and Tamanduateí rivers, the place the Pateo do Colégio was already positioned, town of São Paulo has undergone steady adjustments, at all times welcoming those that arrived, repeating. its variety and acceleration of its evolution. The town performs the position of the primary character of this exhibition, which mixes great tales corresponding to Father José de Anchieta’s account of climbing the Serra do Mar (on foot!), Itamar Assumpção’s poetic imaginative and prescient of the Tietê River, Drauzio Varella’s exhibition on. birds (bem-te-vis, tico-ticos, sanhaços, thrush…) that, stubbornly, nonetheless insist on dwelling within the metropolis, and different treasures written by José Miguel Wisnik, Mario de Andrade, Oswald de Andrade , Paulo Prado, Castro Alves, Paulo Caruso, Guilherme de Almeida, Plínio Marcos, José Ramos Tinhorão, Alcântara Machado, German Lorca, Frei Gaspar da Madre de Deus, Carlos Augusto Calil, Paulo Bonfim and Pedro Corrêa do Lago.
The concept of this exhibition started to take form ten years in the past, impressed by studying the e book A Capital da Solidão, by. Roberto Pompeu de Toledo. “By way of this e book, my relationship with this metropolis modified, it grew to become extra loving, till it confirmed love, making an attempt to grasp the locations described on this e book, like the ability that existed in Liberdade”, reveals Regina, who arrived in São Paulo on the age of 18 and, as she says, “stayed”. São Paulo, a metropolis born in isolation, is hidden and has remained so for 4 centuries. All through the play, we (re)uncover the transformation of the quiet village and the espresso circuit, which impressed the trains and inspired immigration; the muse of the College of Regulation in Largo de São Francisco, which had a constructive influence on its cultural and leisure life; the expansion of town past the rivers Tietê and Pinheiros; the emergence of the peripheries from the Nineteen Thirties onwards and their huge bodily and cultural energy; Carnival in a really São Paulo fashion with its first samba colleges…
“Regina’s clear love for town of São Paulo is contagious, driving the story line and totally involving these watching the present”, says director Isabel Teixeira. This love and this behavior impressed a large analysis in regards to the metropolis and what’s written and sung about it, with numerous concepts written down – one after the other, 12 months after 12 months – in a pocket book. A means of narrative development by individuals and other people, which incorporates references which have come from a sequence of research accomplished at Casa de Mario de Andrade, Biblioteca Mario de Andrade, Casa das Rosas and eight YouTube reveals.
Regina herself, in command of the script, organized every little thing on a big desk, a central piece within the inventive course of and eventually grew to become the primary visible component within the theater manufacturing, the place conditions and recollections are shared and obtain warmth, shade and sound. , as is the case with a cool samba desk, the type we love within the pub or within the yard. Among the many saved pearls, São Paulo, Chapadão da Glória (Silas de Oliveira and Joaci Santana), Summary Samba (Paulo Vanzolini), Santa Efigênia Viaduct (Adoniran Barbosa), O Mundo (André Abujamra), No Sumaré (Chico César), Vira (Renato Teixeira), Persigo São Paulo (Itamar Assumpção), amongst others. “Regina is a consummate artist: she writes, sings, produces, is at all times energetic and stressed. I see myself in bother”added Isabel.
And it’s with concern and love that Regina additionally shares her recollections of town, such because the arrival of trains on the Sorocabana Station (because the Júlio Prestes station was recognized), the flowery gardens of the mansions on Av. Angélica, the fantastic thing about the streets, the drizzle, the water disappearing underneath the cement, and the underground and glued rivers, the effervescence of town heart and the theaters like Maria Della Costa, the Enviornment and the Oficina, the Escola de Arte Drama that was used . to work the place the Pinacoteca is at the moment, the – can also be cussed! – metropolis bushes: white, purple, yellow pês; flamboyants pink, orange; tipuanas mimos jacarandas; sibipirunas with yellow flowers that mimic canaries… A metropolis that’s at all times alive, stimulating and open, just like the present itself, like its inhabitants. To elucidate Itamar Assumpção, it isn’t (solely) love, it’s a full signal. São Paulo is Regina, São Paulo is us.
A theater present that goes by the charms, mysteries and attention-grabbing information of town of São Paulo, its formation, its transformation, its individuals, its contradictions, its energy. The town of São Paulo as the primary character involves life in texts and songs collected by in depth analysis, introduced in a enjoyable, easy and great method.
The actress graduated from the EAD – Faculty of Dramatic Arts of the College of São Paulo (USP), just lately gave life to the psychoanalyst Ana Virgínia, within the cleaning soap opera. a spot within the solaron Rede Globo, the place he additionally participated Due to love, Girls in love, you-you-you, Regulation of Love and JK sequence. He has acted in additional than thirty theater productions, amongst them Chiquinha Gonzaga, Ô Abre Alasby Maria Adelaide Amaral; A young relationshipby Loleh Bellon; On the Finish of Lifeby Tennessee Williams; Elizabeth Bishop’s Bay, by Martha Goes. For these reveals, he acquired awards for finest actor of the 12 months. Lately, in collaboration with Isabel Teixeira, he has exhibited to clarifyby Silvia Molloy and Now I am going to Be Lovely, written by him and Drauzio Varella. Regina additionally joined the solid of the sequence Aliceon HBO.
The actress graduated from EAD, she was Regina Braga’s assistant within the present Wholeand Zélia Duncan (2011), directed to clarifywith Regina Braga and textual content by Sylvia Molloy (2013); all definedpresent by Zélia Duncan (2013); Animals on the highwayby Michelle Ferreira (2014); Now I am going to Be Lovelywith Regina Braga and Celso Sim, screenplay by Regina Braga and Drauzio Varella (2014); The tip of the sportby Samuel Beckett, and Renato Borghi (2016); Lovlovlov, One Piece in 5 Shocks, (2016); and A Writing Lady, by Carla Kinzo (2017). As an actress, she performed Puzzle (a, b, c and d), underneath the route of Felipe Hirsch (2014); and What in the event that they go to Moscow?, serving time world wide till 2020. He was recruited, as a member of the Cia. Vértice de Teatro, the Odeon Theater in Paris and Le Centquatre-Paris to play within the present it’s introducedby Christiane Jatahy, which premiered in Paris in April 2018.
She received the Shell Award for Greatest Actress for the queen (2009). In 2019, he wrote and directed a play individuals vs individuals, which premiered in November 2019, in Curitiba. He was a part of the solid of the sequence soullessby Ana Paula Maia, directed by Carlos Manga Junior, and a cleaning soap opera A mom’s love, by Manuela Dias, directed by José Villamarin. Presently, she is attracting consideration all through Brazil for her position because the character Maria Bruaca, in a cleaning soap opera moist land (Rede Globo), directed by Rogério Gomes.
Solid: Regina Braga, Vitor Casagrande/Maik Oliveira, Gustavo de Medeiros/Guilherme Girardi, Alfredo Castro and Xeina Barros
Directed by: Isabel Teixeira
Assistant Director: Aline Meyer
Present: Regina Braga
Screenplay collaboration: Isabel Teixeira, Aline Meyer, Vitor Casagrande, Alfredo Castro, Guilherme Girardi and Mônica Sucupira
Technical collaboration: Monique Gardenberg
Lighting: Beto Bruel
Scenography and Costumes: Simone Mina
Scenography Assistant: Vinicius Cardoso
Graphics: Fora de Esquadro studio – Isabel Teixeira (from previous information, private assortment and photographs by German Lorca) Graphic design: Alexandre Caetano and Júlia Gonçalves (Oré Design Studio).
Images: Roberto Setton
Video: Gislaine Miyono and Michel Souza
Sound work: Alexandre Martins/Pedro Semeghini
Mild Person: Taiguara Chagas
Press Workplace: Fernando Sant’Ana
Govt Producer: Rick Nagash
Manufacturing Director: Anayan Moretto
Accomplishments: Agora Theater and Manufacturing Arts
Teatro Italia Bandeirantes
Ed. Italy, Avenida Ipiranga, 344, Republica, Sao Paulo
Brief time period: August 5-28, 2022
Fridays and Saturdays at 8pm. Sunday at 7pm.
Full R$90 (full worth) and R45 (half worth)
Ticket workplace hours: Wednesday to Saturday, from 1pm to 9pm. Sundays, from 1 pm to 7 pm
On-line sale: https://teatroitalia.byint.com
Period: 90 minutes
Capability: 276 seats
Entry to individuals with decreased mobility
Carrying a masks is advisable all through the present.
Valet parking on the entrance of Edifício Itália: R$ 27 (one worth)